Experiencing the Magnificence of Falun Dafa through "Pudu," Clarifying the Truth and Encouraging Fellow Practitioners with Dafa Music
by Zi Wei
(Clearwisdom.net) After reading Master's "Teaching the Fa at the
Meeting on Writing Music," I would like to share with fellow practitioners
what I experienced over the past several years. During the bleakest moments of
the persecution in Mainland China, Dafa's music helped me gain inner peace and
courage. Besides, it was also an excellent and effective way to clarify
the truth. In addition, it encouraged my fellow practitioners in labor
camps. Listening to and singing this music has deepened my understanding of the
Fa, has helped me to deepen my understanding of the process and
meaning of Master's teaching Dafa, and has given me the ability to feel more
deeply the power of Dafa. In 2002, because of the persecution, I was severely injured. While I was
recovering, I often hummed Pudu. Although I enjoyed singing, I didn't listen to
Pudu too much before the persecution. However during the time I was
convalescing, Master gave me strength and I recalled ever more of Pudu, until I
could hum the entire piece. I didn't have any books at the time, so Pudu and
Hong Yin written on a paper became the main tools for my Fa study.
Originally I couldn't read music notes too well, but during the process of
humming Pudu, my abilities improved, and suddenly found that I could recognize
the notes. This helped me sing them. The beautiful and elegant music of Dafa
accompanied me during the most difficult time of my cultivation. During that time, several practitioners and I went many places to validate
the Fa. Wherever we went, everyone would always sing Pudu. Sometimes, many
people were quietly waiting for a bus, but I couldn't find any topic to clarify
the truth to the people next to us. So, I simply started to sing Pudu, showing
that I was enjoying myself. I very soon attracted people's attention and they
asked, "You are a musician, right?" "No... Isn't this song
beautiful?" "Yes!" "This is Falun Dafa's music." This
way, I explained the truth to people. At the end of 2001, I was held in a detention center. It was just like hell
enclosed by a demon-gate. Not only were Falun Gong practitioners persecuted,
even the person in charge of the "classes" suffered, and there was no
joy at all. On one of the few days when we did not work, everyone attended
"class." The guards asked us to sing the "reforming song"
and the songs of the evil party. No Falun Gong practitioner sang. The class
leader became very worried, "Do you know how we have suffered alongside you
Falun Gong practitioners? Finally today we can sing some songs and enjoy
ourselves, but you don't sing. If the guards pass our door and notice we are so
quiet, I will be punished." Seeing her so troubled, I thought that we were
not harmonious enough and said, "Then, I will sing one."
"Great." The leader felt great relief. So I started to sing Pudu
quietly. The leader felt strange after I finished the prelude and asked,
"Your song doesn't have words? Only notes?" I turned around and looked
at practitioners. Everyone was surprised with joy and some of them even hummed a
little with me. Realizing that everyone had understood me, I ignored the
leader's question and continued. Before long, the class leader became quiet, and
the beautiful melody made the environment peaceful and calm. Later on, I was transferred to another class, and I continued to sing Pudu.
The atmosphere in our class was always like a holiday. After I left there, the
leader still remembered: "The song Zi Wei sang is really beautiful."
No matter which class I was in, I clarified the truth to people. Workers there
truly realized the beauty of Dafa through our Dafa music. In 2002, I was imprisoned in a labor camp. The environment there was very
evil. I thought that I could only encourage my fellow practitioners through the
Fa, despite our being monitored very strictly and relentlessly. In order to
avoid further loss for Dafa disciples, I shared the new articles from memory.
However, I found that the labor camp encouraged the people there to sing songs
regardless of what songs they were, and it seemed that everyone copied the notes
of songs into a notebook. I wrote down the notes to Pudu so that everyone could
sing it. The guards didn't know what song we were copying. Music was the only
written way I could spread the contents of the Fa there. Later, more
practitioners came in and they said that there were other songs written by Dafa
disciples on the PureInsight website. They taught me "Falun Dafa is
Good," "Be Saved," etc. I then wrote down the notes for these
songs and gave them to everyone. The guards didn't know what I was doing. In that evil place, both Pudu and Jishi and those songs created by Dafa
disciples strongly encouraged
practitioners, strengthened the righteous thoughts of those who were confused
and helped determined people become even more determined. I can't remember how many times I sang Pudu for practitioners in the labor
camps. Before I left the labor camp, I had another chance to sing Pudu for a
practitioner. During the time I was singing, she wanted to interrupt but held
herself back. Her face was full of joy and excitement. This practitioner had
been cultivating with her third eye open, and as soon as I finished singing, she
said, "The field is so good. A wall of golden light has been erected from
this side to the other side of the room. I have never seen a golden color this
beautiful, and when you sang the climax part, the field became stronger and the
golden color became more beautiful!" I finally understood why in the labor
camp everyone started to cry whenever I sang Pudu. This strengthened my belief
that Dafa music is also an instrument of the Fa, and the power of Fa is of
course that great. From Dafa music, I have understood many magnificent inner meanings of the Fa,
but it is difficult for me to express this in words. I am truly grateful to
Master who has given such beautiful Dafa music - the precious Fa, to us. First published in English at http://www.pureinsight.org/pi/articles/2005/12/19/3611p.html
In 2001, I left home. During that time, to encourage more practitioners to step
out to validate the Fa, I wrote and printed the notes, and gave them to other
practitioners. We sang together, and one practitioner began to cry. She said
that she was going to sing Pudu at the party at her work unit. Sometimes when
singing, I also felt like crying. I told other practitioners, "In this
music, I can feel the great and immense power of Master. I felt that the climax
at the end represents the present stage of the Fa-rectification. Whenever I am
close to finishing the singing of Pudu, my tears begin to flow."
Chinese version available at
http://www.zhengjian.org/zj/articles/2005/12/9/34888.html
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